Engraving became the decorative focus on the finest glass produced across Europe during the vogue for façon de Bohème [Bohemian style] glassware, becoming almost universally regarded as the epitome of good taste between c1650-1775, when it was supplanted by façon d'Angleterre cut crystal. Engraving enjoyed another major vogue during the mid-to-late-19th century, when it was rivalled by acid-etching, a fundamentally different but apparently similar technique. Engraving is currently enjoying a new renaissance, with its leading British practitioners, Peter Drieser and Katherine Coleman, the proud recipients of MBEs in recognition of their artistic skills.
This new talk, specifically composed for NHDFAS, examines the evolution of engraving and associated techniques through its various methods and manifestations, various created with diamond tips, lathes and acids, from the days of ancient Rome to the present.